Orson Welles and The Woman of Mystery
It was August of 1945. Japan had surrendered. Hitler was dead. Roosevelt was dead. Churchill had been defeated in the recent British general election.
And Clement Attlee, Harry Truman and Joseph Stalin had met in Potsdam to decide the fate of the world.
And Orson Welles was busy contemplating the next movie he should make.
He was thinking of making a movie about the aftermath of the war.
But given what the world just went through, maybe audiences were looking for a film that wouldn’t be about war.
A western perhaps?
It was watching John Ford’s 1939 Western film Stagecoach over and over again that Welles had taught himself the techniques of film making when he had signed the unprecedented contract with RKO Radio Pictures to make 3 films for them.
But what sort of Western?, Welles wondered to himself.
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